Elliwiny: I love drawing Kyan. She’s so intense. I’m looking forward to revisiting her journey through the first book of Opportunities, as a threat to both Vigi and the Killers and someone we get to know very slowly through the[…]↓ Read the rest of this entry…
Elliwiny: I really like ‘should we trim our nails first?’ as a joke. Rex doesn’t take this very seriously, but I also like that sin alludes to how dangerous Kyan’s people are known to be, even if nobody really says[…]↓ Read the rest of this entry…
Elliwiny: Leci n’est pas une ray gun Sincerely: UX is not my passion, and neither is it Elli’s, but a big picture that says “this is a raygun” gets the point across. Good job, past us.
Sincerely: Vigi helps in the only way she knows how.
Elliwiny: Sin really carried me on this spread, I’ll tell you what. So this transition page is the first of it’s kind, in that it’s an emotional transition instead of a literal passing-in-real-life style of transition. Sin came up with[…]↓ Read the rest of this entry…
Elliwiny: When figuring out the pacing and paneling, Sin and I really wanted this strong feeling of PLACE. The story takes place in and around a single hotel, for starters, but understanding the plot relies heavily on knowing who is[…]↓ Read the rest of this entry…
Elliwiny: Sin is just so unbelievably good at layering information, especially in scenes like this. Kyan and the gang are talking about their leave on earth, but in the subtext you can glean so much about the greater universe –[…]↓ Read the rest of this entry…
Elliwiny: Speaking of reference images – Believe me, the palm trees were a point of contention! I was still living in Michigan at the time and had never seen one of the damn things in person. You know palm trees[…]↓ Read the rest of this entry…