Elliwiny: I’m still happy with how the tall panel turned out, actually. Sin killed it with the foreground plants. I’d also like to point out that there was a script note that told me to focus on Sara’s ass at[…]↓ Read the rest of this entry…
Elliwiny: Sara’s face is the biggest reason I went back and revisited these early pages in chapters 1 and 2. I just sort of settled into a design I liked better as I drew her more and more! And her[…]↓ Read the rest of this entry…
Elliwiny: Ah, the infamous blonde baron. I have a complicated relationship with his hair. I have a perfectly acceptable shorthand for what it looks like in these early pages, but as my style evolved it got harder and harder to[…]↓ Read the rest of this entry…
Elliwiny: Before we did Opportunities I would do these flash comics, where you could control the panel progression with arrow keys! I loved how you could do stuff like… make somebody blink slowly or subtly change an expression with a[…]↓ Read the rest of this entry…
Elliwiny: When figuring out the pacing and paneling, Sin and I really wanted this strong feeling of PLACE. The story takes place in and around a single hotel, for starters, but understanding the plot relies heavily on knowing who is[…]↓ Read the rest of this entry…